‘Noah’ Review: The Ultimate Popcorn Adventure for the Soul “Audiences can expect all the great moments of the Noah story . . . the Ark,...
Cesar, Diego and Me: Understanding the Chavez Legacy (by Jorge Carreón) If you were a Latino (or Chicano) child of the 1970s in southern California,...
‘Divergent’ Review: It Divides Media Factions, But Still a Worthy Choice It seems you only need to place an exuberant teen girl on the cusp of womanhood...
Omar Chaparro te quiere cantar sus razones por las que está contento con ‘Pulling Strings’ Si alguna vez tienes la oportunidad de hablar con el cómico mexicano Omar...
Why ‘Pulling Strings’ Star Omar Chaparro is Singing a Happy Tune (Interview) If you ever get to the chance to talk to Mexican comic juggernaut Omar...
Welcome to the Guilty Pleasuredome: ‘Pompeii’, ‘Winter’s Tale’ & ‘Vampire Academy’ Reviews In the early 1990s, Movieline’s Edward Margulies and Stephen Rebello were...
’3 Days To Kill’ Interview: Why Kevin Costner is the Year’s Comeback Kid Is it diminishing to refer to Kevin Costner as this year’s Hollywood Comeback...
‘The LEGO Movie’: How the Stars and Creators Assembled the Year’s Biggest Block Party Sure, once “The LEGO Movie” was given the green light, it was hard not to...
‘The LEGO Movie’ Review: No Ordinary Toy Story Ah, Pixar. After giving us an indelible trifecta of toy stories for the ages,...
‘The Monuments Men’ Review: Good Artistic Intentions, Not a Monumental Film You can feel the intensity with which George Clooney wants to leave an artistic...
